Artists Detail - Wassily Kandinsky - www.lawrencegallery.net

Wassily Kandinsky

Listing 2 Works   |   Viewing 1 - 2
Wassily  Kandinsky House and Horseman
House and Rider 63/100
Woodcuts
22 x 15 in
$ 3,000
Wassily  Kandinsky Blue and Red
Blue and Red 63/100
Woodcuts
22 x 15 in
$ 4,000

3, 6, 12, 24, 48, 120, Works per page

formatting

Wassily  Kandinsky

Wassily Kandinsky

Wassily Kandinsky Biography

One of the pioneers of abstract modern art, Wassily Kandinsky exploited the evocative interrelation between color and form to create an aesthetic experience that engaged the sight, sound, and emotions of the public. He believed that total abstraction offered the possibility for profound, transcendental expression and that copying from nature only interfered with this process. Highly inspired to create art that communicated a universal sense of spirituality, he innovated a pictorial language that only loosely related to the outside world, but expressed volumes about the artist's inner experience. His visual vocabulary developed through three phases, shifting from his early, representational canvases and their divine symbolism to his rapturous and operatic compositions, to his late, geometric and biomorphic flat planes of color. Kandinsky's art and ideas inspired many generations of artists, from his students at the Bauhaus to the Abstract Expressionists after World War II.

KEY IDEAS

-Painting was, above all, deeply spiritual for Kandinsky. He sought to convey profound spirituality and the depth of human emotion through a universal visual language of abstract forms and colors that transcended cultural and physical boundaries.

 

-Kandinsky viewed non-objective, abstract art as the ideal visual mode to express the "inner necessity" of the artist and to convey universal human emotions and ideas. He viewed himself as a prophet whose mission was to share this ideal with the world for the betterment of society.

 

-Kandinsky viewed music as the most transcendent form of non-objective art - musicians could evoke images in listeners' minds merely with sounds. He strove to produce similarly object-free, spiritually rich paintings that alluded to sounds and emotions through a unity of sensation.

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