Artists Detail - Pat San Soucie - www.lawrencegallery.net

Pat San Soucie

Listing 18 Works   |   Viewing 1 - 18
Pat  San Soucie Green Pasta Sauce
Green Pasta Sauce
Watercolors
22 x 22 in
$ 1,500
Pat  San Soucie Blue_Black Quilt Patch
Blue/Black Quilt Patch
33 x 34 in
$ 1,600
Pat  San Soucie Bright Pod Poppies
Bright Pod Poppies
25 x 30 in
$ 600
Pat  San Soucie Cheveroned Land
Cheveroned Land
Watercolors
38 x 38 in
$ 1,500
Pat  San Soucie Dark Orchard Dusk
Dark Orchard Dusk
Watercolors
38 x 38 in
$ 1,500
Pat  San Soucie Dark Patch with Yellow French Knots
Dark Patch with Yellow French Knots
Watercolors
23 x 23 in
$ 1,000
Pat  San Soucie Golden Italy
Golden Italy
Watercolors
24 x 24 in
$ 1,200
Pat  San Soucie Green Forest Growth___
Green Forest Growth
Watercolor
41 x 40 in
$ 1,800
Pat  San Soucie Haiku with Square Center
Haiku with Square Center
23 x 31 in
$ 1,200
Pat  San Soucie Integers in the Forest
Integers in the Forest
Watercolors
28 x 36 in
$ 2,000
Pat  San Soucie Landscape 3D
Landscape 3D
Watercolors
21.5 x 26.5 in
$ 2,400
Pat  San Soucie Lupine Distances
Lupine Distances
Mixed Media
30 x 27 in
$ 1,500
Pat  San Soucie Pieced Quilt Piece
Pieced Quilt Piece
Watercolors
38 x 38 in
$ 1,500
Pat  San Soucie Pink Haiku
Pink Haiku
Watercolors
25 x 30.5 in
$ 800
Pat  San Soucie Seed Flats
Seed Flats
Watercolors
38 x 38 in
$ 1,500
Pat  San Soucie Snows Blown
Snows Blown
Watercolors
24.5 x 32.5 in
$ 800
Pat  San Soucie Wind and Water
Wind and Water
Watercolors
24.5 x 32.5 in
$ 800
Pat  San Soucie Grey Thicket
Grey Thicket
41 x 29 in
SOLD

3, 6, 12, 24, 48, 120, Works per page

formatting

Pat  San Soucie

Pat San Soucie

Pat San Soucie Statement

I grew up looking through car windows as landscapes rolled past. In painting, I learned that you can evoke a landscape without representing it. By stepping back from realistic representation and by cultivating the random, I can be attentive to what’s happening on the paper and, at the same time, pay attention to how I’m feeling. A painting that’s not laboriously brushed, a painting that’s for the most part “poured” has a naturalness, a freshness, a spontaneity. I do, of course, use the brush. I add the brushstroke, the handwork, to the beautiful surface that’s been created by pours and other random processes. The handwork gives the painting the artist’s touch. The brush then reveals the peculiar poetry that I feel each artist has inside. When colors, textures and the quality of paint become more important than the particular edge of a leaf, the exploration of abstraction begins. When the poetry of abstraction is making a clear, strong statement to both painter and to viewer, the communication is complete and pleasurable. A winner of the Medal of Honor of the National Association of Women Artists and a Dolphin Fellow of the American Watercolor Society, Pat San Soucie says, “I’m a newspaper man’s daughter, so there’s almost always a story, but for me the story’s never linear; the painting’s never realistic.” San Soucie recently moved with her husband from New Jersey to Portland, Oregon. “We had begun married life in Eugene 45 years ago, but left to live in New York, Missouri and New Jersey. However, we never lost a fondness for the Oregon scene. I feel I just might grow up in this vast and energizing area because here everything, the mountains, the trees, grows tall.”

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